Gastón Briski’s career and professional development began over 30 years ago.
Worldwide recognition and credits to Gaston’s work in musical plays include:
- Andrew Lloyd Webber’s Cats (1993, 2001, 2003 2005, 2010)
- Jesus Christ Superstar(1999)
- Joseph and the Amazing Technicolor Dreamcoat (2004)
- New sound design for Andrew Lloyd Webber’s The Phantom of the Opera (2005)
- Harold Prince’s The Kiss of the Spider Woman(1995)
- Sam Mendes’ Cabaret (2003, 2004, 2006, 2011)
- Jaimie Lloyd´s Piaf (2010, 2011)
- Mel Brooks’ The Producers(2006)
- Disney´s Mary Poppins and The Beauty and the Beast (1999 thru 2012)
- Stephen Sondheim’s Sweeney Todd,(2010)
- The Sound of Music (2010 thru 2014)
- Sweet Charity (2004, (2006)
- David Levoux’s Nine,(1998)
- The Rocky Horror Show, (1994)
- The Full Monty(2002)
- Blood Brothers(1994)
- Claudio Segovia’s Tango Argentino and Brasil Brasileiro (1991 thru present)
- Zorba (2003)
- Victor Victoria (2009)
- High School Musical(2007)
- Fiddler on the Roof (2004)
- and Priscilla(2014)
Gastón’s experience as production sound supervisor can be traced at Les Miserables, Miss Saigon, Mamma Mia!, Priscilla, and Addams Family. He was also associate sound designer at Chicago, and sound engineer at Cats, Les Miserables, Nine, The Kiss of the Spider Woman, Beauty and the Beast, The Rocky Horror Show, Blood Brothers, Chicago. Indeed, Briski has joined a number of international touring companies such as Sidi Larbi Cherkaoui’s Milonga.